One Room Challenge Week 5 - Walls and Windows and Shades oh my!

Can you believe we're five weeks into the One Room Challenge?! Holy Moly it feels like it's been flying by and I can't keep up, yet at the same time it seems like I've been painting forever!

If you're just tuning in, I'm Ashley and I'm in the middle of transforming the home office of our 1915 craftsman bungalow in San Diego. Take a look at the plans which include a new layout, storage, lighting, furniture, and most importantly, a dramatic mural!

The mural is the star of the show, but this week I turned my attention to the other walls and the windows.

I coated all of the non-mural walls in Farrow & Ball's Ammonite, a pretty light grey. It provides just enough contrast for the trim (which is painted in Strong White) to pop, yet, not it's so dark that it would compete with the mural for attention.

I have been dreaming of black window sashes for ages. AGES. And I finally went for it. I love them so much. They got a couple of coats of Off-Black and have never looked better. Well, maybe they looked better 103 years ago before the neglect, but you know what I mean!

Each of these three colors are already in the mural so they are repeating throughout the space. Strong White is the whitest of the eight mural colors, Ammonite is the second lightest, and Off-Black is the deep moody base color. Hubba hubba.

You may notice some funky wobbly paint edges on the sashes next to the glass. Don't go thinking I painted with my eyes closed! The wobbly paint is because of the many coats of poorly painted exterior paint over the last century. These layers make it looks less crisp on the inside, but what I do like about them is you can see each of the colors this house has been over the ages. It used to be blue! A far cry from the green and red exterior it is now. One day, I'll scrape off the exterior paint to make a nicer edge. One day.

When you weren't looking at the funky paint edges, didja get a look at that sash pull? Didja? Wow, those guys cleaned up nicely.

The bottom one has a lot of patina that can absolutely be left as is, but the details were hidden in the old paint. I scrubbed and scrubbed until the paint came off and then I ended up with a shiny little number that looks so happy against the deep color of the sashes. I'm curious to see how it patinas over the years.

If you recall from my ORC intro post, one of the biggest challenges was the lighting in the office. Our desk previously looked out the window straight onto the surface of the blinding sun. I realize complaining about too much light sounds ridiculous, but it truly got really bright and really hot.

I'm happy to say that the issue has been remedied! Each window has a combo of two different shades. First are the solar shades that are installed on the inside of the frame and roll down with a chain. These beauties are on all of the windows throughout our home and we've had them for several years and love them.

Solar shades come in varying levels of opacity which allow you to select how much sunlight you want to block. More opacity means more protection, but more transparency means you can see out of them better.

Because our old windows don't have any UV protection, blocking the rays from bleaching our furniture and hardwoods was a big motivator for the solar shades. Since we want protection all the time, we keep these shades pulled pretty much 24/7. Their clean look is perfect for admiring the shape of the window frame as well as seeing outdoors. For reference, these are 3% opacity, but other shades in the house are 10%.

Even though the solar shades work wonders for us throughout most of the day, when 4pm rolls around and the sun starts to set, it shines directly into the room and we simply want less of its bright glare. So, we put classic roman shades with blackout liners on top of the solar shades. Now, we get so much variety with light options. I can black out the whole room to paint a mural, or diffuse the light, or let the sun shine in!

I could have ordered wider roman blackout shades, but I preferred seeing as much woodwork as possible, so I made a lighting sacrifice by getting narrower ones that don't block as much light as what might be necessary in say, a nursery.

This animation is the perfect example of how the shades can affect the light in the room.

The solar shades are inside mounted into the frame of the window, and the roman shades attach to the surface of the trim with a clip.

Both the solar and roman shades are from Select Blinds. Their prices are great - especially for custom sized window treatments! All four of these windows came in under $600, and one of them is a beefy 50" wide! For your reference, our solar shades are 3% in white, and the blackout roman shades are in the pretty Stone Textured fabric in the classic folded pleat.

While I like the easy-to-use cord on the solar shades, we tried out the cordless option for the romans and it's great! I'm always wary that products with spring mechanisms won't do as you ask them to do, but so far these ones follow directions nicely!

I've been working on coating the second layer of paint on the mural, rather than adding new colors, so it doesn't look too different. Stay tuned!!

Come back over the next few weeks for more updates on the progress and set a reminder to return the morning of November 16th to see the final reveal!

Big shout out to Farrow & Ball for supplying all of the paints and the ones i'm using for the mural! Select Blinds kindly extended a discount on their roman shades. However, opinions are all my own and I stand by these products.

If you're tuning in via the One Room Challenge and want to stay up to date on all of my home's transformations, subscribe to get future posts in your email! Also, follow along on Instagram for daily updates. You're seeing only a sneak preview of the mural, so be sure to come back for more progress updates!

Be sure to check out the featured designers here and guest participants here, too!

Fall One Room Challenge progress:
Week 1 - the before, the inspiration, and the plan
Week 2 - preparing for a bold wall mural
Week 3 - tricks for creating a perfect wall mural
Week 4 - painting the mural
Week 5 - walls, windows, and shades
Week 6 - IKEA storage hack
Week 7 - the reveal!

Look back at the Spring One Room Challenge:

Week 1 - the before, the inspiration, and the plan
Week 2 - paint, paint, paint
Week 3 - how to install picture rail molding
Week 4 - sourcing the artwork
Week 5 - refreshing a chair
Week 6 - the reveal!

Get your Own Etching or Paint-By-Numbers Landscape - An Etsy Roundup

Thank you all so much for the love of my One Room Challenge mural! Many of you are reaching out asking for updates, but I think I'm going to keep you in suspense until the reveal on November 16!

As you probably already know, to achieve the mural, I took a vintage etching and converted it into a paint-by-numbers-style image. So, I searched all over Etsy for vintage prints and paintings that you may enjoy in your home - on a smaller non-mural scale!

Click on your favorite image to add it to your personal collection!

Etchings

If you're less into the grayscale etching look and you're after the colorful paint-by-numbers style, I give you these.

Paint-By-Numbers

Come back on Thursday for more One Room Challenge updates!

One Room Challenge Week 4 - Painting a Foliage-Filled Wall Mural

It's week four of the One Room Challenge and boy has the past week been a doozy! I started the mural on Friday and found it to be a thousand times more time consuming than I ever anticipated. The One Room Challenge team decided to extend the event by one more week to assist participants affected by the recent natural disasters. I don't want to downplay the seriousness of the catastrophic events, but I'll admit that this extra 168 hours will most certainly come in handy. So, I get seven weeks to transform the space instead of six, but you will have to wait a few more days for the reveal - sorry!

This post is sponsored by Farrow & Ball. They generously provided the paint to make this mural possible yet all ideas and opinions are my own. Thanks for supporting the brands that allow me to share projects with you.

If you're just tuning in, I'm Ashley and I'm in the middle of transforming the home office of our 1915 craftsman bungalow in San Diego. Take a look at the plans which include a new layout, storage, lighting, furniture, and most importantly, a dramatic mural!

As a reminder, I'm painting an eight-color mural in a paint-by-numbers style. Take a look at last week's tutorial of how I planned to create a mural in the home office. It outlines sourcing a photo, modifying the design in photoshop, editing the image to cover multiple walls, and using a projector to cast the design onto the wall. It's worth reviewing to get some backstory on how this week's progress came to be.

If you're in an RSS reader, click through to admire the animation showing each color coming together to create the whole scene.

Without further ado, I started the mural!

I kicked off the painting on Friday night. Because starting at one end of the hue spectrum made more sense than bouncing around between colors, I launched the painting with the darkest shade since it takes up the most surface area.

This pretty deep color is Farrow & Ball's Off-Black. It took about 5 hours to do this layer from 10pm-3am - a real sacrifice because these are hours are when I get my best REM cycles in.

As a reminder, I was using my trusty projector and Photoshop to cast the image onto the walls for me to trace. It provided the perfect guide for each color as I turned off the hue layers that I wasn't painting at the moment.

Once the dreamy off-black color was on, I turned my attention to Farrow & Ball's Down Pipe which happens to be a very similar hue as the bathroom walls. This second layer took 7 hours - eek!

The next pretty shade was Mole's Breath which I guarantee looks better than what a furry animal smells like when they exhale. This coat took 5.5 hours.

The fourth color was Worsted, a rich warm grey. This one only took 3 hours!

After I got 20 hours into the project, I realized that I sorely overestimated how much I could accomplish during this tight timeline. I was 20 hours in, and only painted four out of the eight colors. PLUS! Each color would need a second coat.

Some of you on Instagram were kind enough to reassure me that the single-coat was still pretty. Thank you to all of you that gave me feedback as I shared live updates over the weekend! But, I really wanted solid chunks of color that looked like a true paint-by-numbers more than a textural pattern.

So, another slathering of paint is a must. I wish I could say that the second coat was faster than the first, but it wasn't. It took more time because instead of taking some creative license like I did with the first layer, which allowed me to apply the paint more organically, I now had to perfectly trace the existing color. 

Do you see my site supervisor Mabel keeping an eye on quality control?

I want to point out that the process isn't hard. It's just time-consuming and can be boring. I listened to a bunch of podcast episodes of 99% Invisible before switching over to a David Sedaris audiobook. That guy's impression of Billie Holiday always cracks me up!

I'm not tallying up the hours to complain or seek pity, but rather to be totally honest about the process. I didn't just whip a mural together overnight and my art school background didn't save the day. Patience is the biggest skill you need if you aim to take on a project like this.

Now that I've stared the double coat process, I've put in about 30 hours so far, and have a few more hues to go! If I haven't scared you away from taking on a project like this, here are a few tips I've gained from my experience so far.

I explained in my previous post how to set up the projector. Since writing that post, a technique I found helpful is to color each hue a different bright color in Photoshop. This way, I can turn multiple layers on and clearly see each of them. At first, I just turned on each grey layer one at a time, but since the projector was known to move as I stomped around the room, maintaining visibility for each layer was super helpful.

Look how spiffy it is when those psychadelic colors project onto the white chair!

It seemed only fitting to use my childhood painting table/easel as my work surface. With so many paints, containing them in an organized fashion has been a must.

To keep each color organized, I'm using the HANDy Paint Pail and its corresponding liners - one for each color. I then labeled them accordingly. Whenever I want to use a shade, I pop it into the paint pail and paint away!

When I'm not using that color, I cover it in plastic wrap and pop it in the fridge. This storage method has definitely taken over my perishables. Do note, that I have been painting every day with small batches of paint. This storage technique doesn't last forever and will require dumping the paint and pouring fresh from the can every so often.

For brushes I'm using some old ones from high school and college, but any round brush for acrylics from your local art store would do the trick. Depending on the size of the image and the room, the detail will vary. For most of my mural, I've been getting away with a size 6 round brush, but certain images may require narrower brushes and others could get away with wider ones.

And that, folks, is where I'm at. I probably have another 40 hours of painting to go. There are 4 more hues to paint, 6 more colors to re-coat, 4 more walls to paint a solid color, trim to coat, and window sashes to give a dark hue. As you're reading this, I'm probably with a brush in hand!

Come back over the next few weeks for more updates on the progress and set an reminder to return the morning of November 16th to see the final reveal!

I'm thrilled to have partnered with Farrow & Ball on this project. They generously provided me oodles of paint for this mural that's requiring eight of their beautiful grey hues. Their paints are the bee's knees so I'm excited to work with their quality and eco-friendly paints for this project. Thanks, Farrow & Ball!

If you're tuning in via the One Room Challenge and want to stay up to date on all of my home's transformations, subscribe to get future posts in your email! Also, follow along on Instagram for daily updates. You're seeing only a sneak preview of the mural, so be sure to come back for more progress updates!

Be sure to check out the featured design participants here and guest participants here, too!

Fall One Room Challenge progress:
Week 1 - the before, the inspiration, and the plan
Week 2 - preparing for a bold wall mural
Week 3 - tricks for creating a perfect wall mural
Week 4 - painting the mural
Week 5 - walls, windows, and shades
Week 6 - IKEA storage hack
Week 7 - the reveal!

Look back at the Spring One Room Challenge:

Week 1 - the before, the inspiration, and the plan
Week 2 - paint, paint, paint
Week 3 - how to install picture rail molding
Week 4 - sourcing the artwork
Week 5 - refreshing a chair
Week 6 - the reveal!

One Room Challenge Week 3 - The Tricks To Creating a Perfect Wall Mural

It's week three of the One Room Challenge and I'm barely making progress on the most dramatic part of the home office transformation - the mural! With only a few weeks to go, and lots of wall to cover, I'm worried about making the deadline! *insert nervous teeth-gritting emoji*

If you're just tuning in, I'm Ashley and I'm in the middle of transforming the home office of our 1915 craftsman bungalow in San Diego. Take a look at the plans which include a new layout, storage, lighting, furniture, and most importantly, a dramatic mural!

There are many options to buy wallpaper sized and designed to cover walls. But, why would I make it so easy on myself? Instead, I'm custom designing a wall treatment from an image I found online. If you, too, want to take on a project like this, here's how!

Step 1: Select an Image

You can turn pretty much any photo, drawing, painting, etching, or image into a wall mural. I was initially inspired by centuries-old etchings, so that's where I started. My image was sourced from the Met's open-source collection of artwork. You can also find other great art downloads here and even Audubon images here (thanks for the bird tip, Marti!).

I selected this image called A Landscape with Travelers at the Left, an etching by Adam Perelle from the 1660s. When searching for an image, I wanted lush greenery that was neither suffocatingly dense like I was lost in the forest, nor super vast that would give some sort of trompe l'oeil look.

Step 2: Modify Image for Painting

Depending on your image, you could skip this step and make a realistic representation of your image. However, if you want to make the process "easier," you may want to remove a bit of detail or avoid photo-realistic shading. So, you can convert it into a simpler color-blocked image for painting. Let's face it, we aren't all Chuck Close (yes, those are paintings - not photos).

To simplify my etching, I converted it into a paint-by-numbers style image. No longer is it made up of small hash marks naturally found in etching, it is swaths of solid color. Instead of detailed line work and shading, the image is reduced to eight colors that, when combined, create the illusion of the shading and dimension of the original image.

Here's how:

1. Import your image into Photoshop.

2. Make any edits to your image like removing imperfections, cropping borders, or making color adjustments.

3. Click Filter>Blur>Smart Blur to blur out the details.

4. Define your radius and threshold by testing the different options. Select high quality.

5. Click Image>Mode>Indexed Color, then select the number of colors you want to paint and adjust the settings until it looks like a paint-by-numbers you are comfortable with.*

6. Click Image>Mode>RGB to convert it back to its original profile.

7. Click Select>Color Range and turn down the fuzziness, then use the eyedropper to select a color.

8. Create a new layer from the selection (command J).

9. Repeat steps 7 & 8 until you have a layer for each color.

*Instead of changing the mode, you can try the Cutout filter. It wasn't the look I was going for, but it will affect each photo differently, so give it a shot!

If you're in an RSS reader, you'll want to click through to admire this spiffy gif that shows each layer of paint. Really, who doesn't love a good gif?

Step 3: Edit the Photo to Wrap Around the Walls

If you want to do a mural on only one wall, then you can skip this step. However, I wanted the landscape to wrap around all four walls and give the illusion of a continuous image. Because the dimensions would certainly not wrap all the way around, I duplicated, mirrored, and modified the image in Photoshop.

The diagram above shows each of the four walls divided by blue vertical seams. The dark grey cutouts are the doors, windows, and baseboards. To do the same, create a Photoshop file with a canvas size the same dimensions of your room (or a scaled down version). Then, block off each part of the wall that won't get paint, like doors and windows. No need to account for light switches. Then, import your layered paint-by-numbers file and duplicate and modify it as you like.

When you look at the image panorama, you can see where I duplicated and mirrored parts of the scene. You can make all the tweaks you want on your image, but don't stretch the image, which would distort it. There are a few spots that look too similar in the image above, so I'll be making modifications freehanded. Pay attention to details as they wrap around the walls. Do you want all of the clouds circling in the same direction, or do you want the illusion of the gusting from one direction? It's your call, but this is the time to make the edits!

Step 4: Set Up the Projector

The most effective way to get a photo from Photoshop to your room is with a projector. I'm using this short-throw HD projector that's able to cover an entire wall at a nice resolution. When shopping, be careful of low-res projectors that won't fill up your whole wall. Otherwise, you'll have to puzzle piece your way around.

Isn't she pretty?

First things first, kill the lights and draw the shades. Projectors like the dark.

I set up my iMac on a small filing cabinet outside of the office. I want it nearby for making edits and turning off layers (more on that in a minute) but I wanted it far enough away that it isn't in danger of getting painted. It connects to the projector with a 25' long high-speed HDMI cable.

Lining up the image is key, especially if you'll be covering multiple walls. Avoiding distortion is important so it doesn't feel like the trees are leaning in on you or falling sideways. To do this, I created shapes overlayed on the image to line up the projector. Points on the top and the bottom helped me line the image up with the architecture of the room, and a square in the middle sized to 12"x12" in Photoshop gave me a guide to measure with a tape measure on the wall.

The scene for passersby probably gave the impression I was running a cult. Maybe I should use the projector for spooky Halloween decor while I'm at it.

I'll admit that setting up the projector for the first time was quite time-consuming. We had to figure out the right zoom on Photoshop, the best distance to place the projector from the wall, and we also had to shim it up to have the right angle on the wall.

Step 5: Transfer Image to Walls

So, now that the projector is shining pretty, you can get to painting.

Remember that spiffy gif from before that broke down each of the colors on their own layer? Well, this is when it comes in handy.

Depending on your design and the number of colors, you could paint using the full image. However, I think that isolating colors and painting one color over the whole wall, then moving to the next color and the next color is the best way to cover ground - err walls.

To see only one color at a time, you'll turn off the layers of the other colors. Then, paint away by tracing wherever that color is on the wall. Thanks for the help, projector and Photoshop!

The dark shades show up nicely on a white wall, but the light colors often need help by creating a high-contrast background. Adding color helps differentiate it from any greys you may have on the wall already. Alternatively, you can tint the actual color layer that you're working on, rather than its background. It's up to you and how much color/light your eyeballs can handle.

The projector creates a template to guide you. Just follow the shapes and lines to replicate the projected image onto your walls. It's basically just tracing - but on a big scale!

Then, repeat, repeat, repeat, repeat, and repeat for all eight colors and four walls. Did I mention that I haven't started the mural yet??? The paint only just arrived and I had lots of prep including moving the ceiling light box and some other odds and ends. Wish me luck! I'll be back next week for painting progress and tips.

I'm thrilled to have partnered with Farrow & Ball on this project. They generously provided me oodles of paint for this mural that's requiring eight of their beautiful grey hues. Their paints are the crème de la crème, so I'm giddy with excitement to be working with their quality and eco-friendly paints for this project. Thanks, Farrow & Ball team!

If you're tuning in via the One Room Challenge and want to stay up to date on the progress of this project and see what I have coming in the future, subscribe to get blog posts in your email! Also, follow along on Instagram where I'll share stories of the transformation along the way.

Be sure to check out the featured design participants here and guest participants here, too!

Fall One Room Challenge progress:
Week 1 - the before, the inspiration, and the plan
Week 2 - preparing for a bold wall mural
Week 3 - tricks for creating a perfect wall mural
Week 4 - painting the mural
Week 5 - walls, windows, and shades
Week 6 - IKEA storage hack
Week 7 - the reveal!

Look back at the Spring One Room Challenge:

Week 1 - the before, the inspiration, and the plan
Week 2 - paint, paint, paint
Week 3 - how to install picture rail molding
Week 4 - sourcing the artwork
Week 5 - refreshing a chair
Week 6 - the reveal!

One Room Challenge Week 2 - Preparing for a Bold Wall Mural

Welcome to week two of the One Room Challenge!

If you're just tuning in, I'm Ashley and I'm in the beginning of transforming the home office of our 1915 craftsman bungalow in San Diego. Take a look at the plans which include a new layout, storage, lighting, furniture, and most importantly, a pretty cool mural! For a refresher, here's where we're headed.

Week two is often pretty slow going - these last few days were all about preparing for the statement wall treatment. It's true when they say, "prep is the most important part of painting." It took a couple of days to sand, patch, prime, caulk, patch again, prime again, and finally, clean up. It already feels like a transformation, and we're only on the priming stage!

All this effort was put into the trim to give it new life. For anyone concerned about painting the woodwork, take a look at my logic here.

To see what I've been up to this past week, scroll through below. Note, it isn't dissimilar from watching paint dry.

First, I used a coarse grit sandpaper on my orbital sander to knock down the existing finish and remove the splinters.

The sander worked wonders for evening out the texture (I meant it when I said there were splinters on the interior woodwork). Shaving off the finish also gives the primer solid wood to grab hold of.

I only sanded the door casings because the doors are in great shape, even though the trim was rather unfortunate. The baseboards were already painted. To get an idea of the state of the wood and how I decided to paint it, check out this post.

After sanding, I followed up with my go-to primer, my go-to paintbrush, and my go-to paint tool.

There were oodles of gouges in the wood and nail holes to fill. Some like to fill these gaps before priming, but I like how a thin coat of white paint helps to show each of the imperfections needing patches. 

I like to use this putty. It's really easy to control and doesn't need sanding, but does require a long dry time (24-48 hours). My favorite caulk works wonders and can be painted in 30 minutes. My tip for caulking is to use a small container with water and a few paper towels for cleaning up messy fingers, and for dipping into for a smooth swipe along the bead of caulking.

After patching the holes, I did another layer of primer to be extra prepared. And I mean, once you're in your painting clothes, why bother stopping?

For more painting tips and tools, I always have a kneeling pad, a sturdy step ladder, two drop cloths (one for sliding around as I move throughout the room and one for keeping all of the supplies), an interchangeable screwdriver for removing hardware, clean paintbrushes for dusting, a can of LaCroix (can you spot it in the above photo?), stir sticks, and most importantly, a device for playing podcasts and tunes.

The reason the trim blends into the walls is that I used leftover primer from when I painted these walls. I had it tinted to the wall color (hot tip!) so the window casing isn't exactly popping off the wall right now. Not yet, at least!

Yep, that's a GoPro. Prepare yourself for a timelapse of the mural application!

Just look at how happy those doors are surrounded by a crisp blanket of white paint rather than neglected woodwork.

For a satisfying step-by-step, click through these images below. 

All of this was laborious and not a wildly dramatic transformation, but it's a necessary step to get to a blank state before applying those 8 shades of grey to the walls. Come back next week for some mural progress!

If you're tuning in via the One Room Challenge and want to stay up to date on the progress of this project and see what I have coming in the future, subscribe to get blog posts in your email! Also, follow along on Instagram where I'll share stories of the transformation along the way.

Be sure to check out the featured design participants here and fellow guest participants here, too!

Fall One Room Challenge progress:
Week 1 - the before, the inspiration, and the plan
Week 2 - preparing for a bold wall mural
Week 3 - tricks for creating a perfect wall mural
Week 4 - painting the mural
Week 5 - walls, windows, and shades
Week 6 - IKEA storage hack
Week 7 - the reveal!

Look back at the Spring One Room Challenge:

Week 1 - the before, the inspiration, and the plan
Week 2 - paint, paint, paint
Week 3 - how to install picture rail molding
Week 4 - sourcing the artwork
Week 5 - refreshing a chair
Week 6 - the reveal!

One Room Challenge Week 1 - A Foliage-Filled Home Office

Do you remember that time earlier this year when I transformed our den? That time when I painted the walls a deep moody green, installed picture rail molding, reupholstered a chair, sourced new art and furnishings, and also blogged all about it? That time when I did all of that in a matter of six weeks? Well, if that wasn't enough speedy home design for one year, I'm doing it again this fall!

That's right, I'm participating in the One Room Challenge for the second time! I've selected another neglected room in our house to completely redesign. Eek!

If you found me through ORC, welcome! I'm Ashley and for the past two years, I've been restoring a craftsman bungalow in San Diego, CA. Learn a touch more about me here, and preview the before-and-after room transformations here.

Our home office is the most neglected room of the house. It didn't even earn a viewing in the recent Design*Sponge feature because it's too darn bland.

Before I get into what the home office looks like now, I'll give you the plan and the inspiration first!

The biggest part of the transformation is the wall treatment. I'll be hand-painting a mural on all four walls of the room with pretty grey tones!

I was inspired by these wallpapers that mimic etchings.

In search of a unique etching, I went to The Met's open source catalog of art and selected this beauty. After a few tests, I decided the etching look wasn't the best option for hand-painting a room in six weeks, so I've modified the image to mimic a paint-by-numbers.

I'm exhausted just thinking about painting eight different greys on each wall in the likeness of that etching, but I can't wait to see the final result! I hope you'll follow along!

Since I know you're itching to see the befores, here you go!

I built the desk about five years ago to fit in our old house. The size works, but the sunshine from the window is a killer. It's so bright and hot that I feel like I'm working on the surface of the sun. So, problem 1: desk orientation.

The desk orientation is unfortunate for ocular-comfort, but it also doesn't do anything for the layout of the room. We have a big open space in the middle with absolutely nothing going on. Problem 2: room layout.

The hutch was a great estate sale find but it doesn't help with our storage needs. It has glass shelving for displaying pretties - which none of our office things are. It lacks drawers for files, so we have a little filing cabinet under the desk. Yet, neither of these combined units fit the bill for an efficient office. Problem 3: storage.

I painted the walls the same color as the living and dining room (Sail Cloth by Behr) then never decorated. There's no art, no pattern, no interest. Problem 4: boring aesthetics.

Luckily, I have a plan for the bland room and I can't wait to get started! This space is in for one heck-of-a-transformation. I hope you'll follow along and encourage me when my arm goes numb from hand painting that mural!

If you're tuning in via the One Room Challenge and want to stay up to date on the progress of this project and see what I have coming in the future, subscribe to get blog posts in your email! Also, follow along on Instagram where I'll share stories of the transformation along the way.

Be sure to check out the featured design participants here and fellow guest participants here, too!

Fall One Room Challenge progress:
Week 1 - the before, the inspiration, and the plan
Week 2 - preparing for a bold wall mural
Week 3 - tricks for creating a perfect wall mural
Week 4 - painting the mural
Week 5 - walls, windows, and shades
Week 6 - IKEA storage hack
Week 7 - the reveal!

Look back at the Spring One Room Challenge:

Week 1 - the before, the inspiration, and the plan
Week 2 - paint, paint, paint
Week 3 - how to install picture rail molding
Week 4 - sourcing the artwork
Week 5 - refreshing a chair
Week 6 - the reveal!

One Room Challenge Week 6 - The Moody Room Reveal!

Can you believe it's been six weeks since the One Room Challenge began? Six weeks. To recap, here's the before, the inspiration, and the plan, the moody paint, the installation of picture rail molding, the artwork, and the refresh of a chair. And now here we are, at week six! 

Can you believe that paint color? I still can't get over it. It is the perfectly dark tone with the richness of an emerald green. My heart! This shade is Salamander by Benjamin Moore. It's more like a chameleon because it shifts throughout the day and ranges from nearly black to emerald and blue green to forest green. It's perfection.

The goal was for a tone on tone color scheme with blues, blacks, and greens, plus a heavy dose of contrast with some bright whites. The room was starting to feel stark, so this ottoman makes the space feel like a casual place to kick up our feet for some Netflix viewing - which is what happens in here 90% of the time.

The sofa used to be in the living room, but it is so much happier in here. In its previous configuration, it sat against a wall of windows so it was always backlit and you could never enjoy the texture of the tufting and the velvety finish. The couch is a sleeper, so the room can very easily transform into a guest bedroom. Win Win.

The TV and the stand stayed from the previous iteration of the room. That credenza is just too perfect in size and deco style to get rid of it

There's that print that I love so so much. Shall we admire the artwork, now?

I wanted to make sure that the dark walls didn't get too covered up by large frames, so I exercised some restraint when I was eyeing all of the great possibilities for artwork. I ultimately settled on these prints that are showstoppers on their own, but also let the moody paint shine.

All of the artwork is hanging off the newly installed picture rail molding. Since it's so easy to swap the frames out, you can bet that I will move pieces around the house from time to time.

This light from West Elm was the last addition to the space, and I totally have a crush on it. I didn't want the room to get carried away with being too casual, or too dramatic, or too old fashioned, or too modern. I think this light balances all of those and gives me the best of each world.

Did any of you vote on my curtain choices on last week's Instagram story? I picked up about a dozen different curtain options from IKEA to test, then return. I nearly didn't pick up these green ones, but I did on a whim, and they instantly became standouts.

So many of you chimed in with votes and they were nearly all split. A lot of you really liked the plain white, but I went with my gut. I doubled up these sage velvety drapes so each side of the window has two panels, to give them some oomph.

I doubled up the side tables, too. The lightweight metal framed table gets moved around to the front of the couch periodically so I have easier access to my snacks and goodies that I park on it. Since it moves, I wanted a second table that would be stationary and could keep books and plants that don't need to migrate around the room.

The other side of the couch needed its own table, too. But in a tight space with high arms on the couch, the necessary dimensions were impossible to find in a store-bought table, so I made my own. Using some plywood, parson legs, and plates, I cut the pieces to the exact dimensions needed, put it together, and spray painted it black.

For added storage, a small box sits on the floor under the table to house the laptop charger and hide the cables from nearby lamps.

We previously didn't have any seating other than the couch. It didn't let the room be much more than a place to park ourselves in front of the TV. The addition of the newly refreshed chair and lamp gives the room much more versatility.

Sources

Couch - Rochester from West Elm / Ottoman - Long Pouf by Minda Living / Rug - One of a Kind from eCarpet Gallery / Pillows - VELU from Article,  Mount Cook Lily (night) from Society6 / Tray - Format ClearSquare Tray from CB2 / Black Lamp - STILT from Article / Books - Old Home Love, Styled, In The Company of Women, Pick Me Up, Illustrated Elements of Style, The Kaufman Mercantile Guide / Deer sculpture - Artist Jeff Irwin / Artwork -  Minimal and Palm by Lucie Birant, St. Bernard by Mary Sinner, Feral House #7 by James Griffieon / Chandelier - Pelle Asymmetrical from West Elm / Candle Stick Holders - Taper Candleholder from World Market / Side Table - TAIGA from Article / Potted planter - Glowing Arbor Pot from Anthropologie / Shallow Flower Vase - Moonbird Pottery / Curtains - SANELA from IKEA / Curtain Rod - Umbra Cappa / Shade - Solar Shade from Select Blinds / Side table materials - plywood, parsons leg, top plate / Picture rail molding and hooks - House of Antique Hardware / anything not listed is vintage or Home Goods.

If you're here because of the One Room Challenge, I hope you'll subscribe to the blog to get future blog posts in your email! Be sure to follow along on Instagram, too!

One Room Challenge progress:
Week 1 - the before, the inspiration, and the plan
Week 2 - paint, paint, paint
Week 3 - how to install picture rail molding
Week 4 - sourcing the artwork
Week 5 - refreshing a chair
Week 6 - the reveal!

So many other rooms have been transformed over the past six weeks, you best check' em out! There are 20 featured and 250 guest bloggers! Block out some time, put on a pot of coffee, and browse through all of those freshly designed rooms!

One Room Challenge Week 5 - Giving a Chair a Facelift

There's only one week left in the One Room Challenge! Over the past five weeks, this room has completely transformed. I'll share more before and afters next week, but let's get into this week's project.

I bought a chair off Craigslist years ago during my mid-century modern phase. However, I wasn't in love. The upholstery color didn't work in any room of the house, the webbing was totally stretched out, the frame was separating, and the finish was chipped. It was originally from Urban Outfitters, so it's not a vintage heirloom and thus I have no problem messing with it. Note that I do not condone painting 60-year-old furniture just because you're bored of it.

The chair sat in the living room for two years and every time I saw it, I thought about how I wanted to get rid of it. With a chair that needed some love, and an excuse to give it new life (thanks One Room Challenge!) I decided that the chair could stay a little longer - with a refresh and in a new room.

The first step was to update the frame. Since there was no gorgeous wood grain to reveal under the existing finish, painting was the only option. Considering I paint things pretty much only black or white (or Salamander!) the choice was easy. Black!

First, I disassembled the frame and removed the webbing. I later found out that a big reason the webbing sagged and the frame was coming apart was the previous owner had assembled the seat upside down. The puzzle didn't fit together so it was putting pressure in all the wrong spots, and the poor chair couldn't hold up.

I then gave the frame a light sanding to rough up the surface for paint and to smooth out the chipped spots before dusting each piece with a coat of primer. There's really no reason to skip this part. I'm a big fan of primer and always recommend tossing it on because your paint will adhere so much better - even if you're using a paint and primer in one.

I used a satin finish paint because flat would look well, flat and a little too, "hey look, I spray painted this chair" while a glossy finish would be like "woah, you spray painted that chair." Catch my drift? Satin has just the right amount of sheen.

After a few light coats of paint, I worked on re-webbing the seat.

First, I stapled one end of the webbing to the frame. Then, I use this webbing stretcher (torture device) with the rubber end on the frame, and the spikes in the fabric to create tension on the strip by pushing the tool down to stretch the fabric.

Once it's as taught as a drum, I stapled the fabric into the other end of the frame. You may think that pulling on the fabric by hand would be enough, but that torture device, I mean webbing stretcher, does the job so much better. Trust me.

Once a few staples have secured the fabric, I cut the it with enough overhang to fold it back over the staples and staple again. I used this gal, but this pneumatic staple gun would be so dreamy. After all of the webbing strips are complete, I reassembled the chair (not upside down!).

The trickiest part of the whole process was the fabric. I fell for this Painted Check fabric by Robert Allen from Dwell Studios because it was a modern take on plaid and it was in my favorite color palette, black and white. The pattern choice is sure pleasing to look at, but boy was it tough to work with. Had I chosen a solid color or a busy pattern, I could have just cut the pieces and sewn them together. But no, I had to pick a fabric with a bold, high-contrast, large-scale, stripe - and a wiggly stripe to boot. I needed the pattern to give the illusion of wrapping around the sides of the cushion, so matching each piece of fabric to its four adjoining edges was critical. This is probably easy peasy for a professional, but I am not. Here's how I did it.

First, I deconstructed the existing cushion and used the pieces as a template to create a new pattern. It's important to note that fabrics can stretch over time, so duplicating the exact pattern may not be the best idea. My fabric was stretched, so I slimmed down my new cuts just a hair.

I started with the top piece (where you put your tukhes) and matched everything to it. I cut each piece in the order of how visible it is. This way, if things got misaligned towards the end, the issue would only be spotted in the back.

To form each of the side panels, I layered the primary piece atop the roll of fabric and lined it up to its exact same pattern. I did this to create a guide so I could visualize where the cuts would need to be based on the half inch seams I'd sew later.

Here, the primary piece is on the right, layered on top of the roll. The teal piece is the template of the new side panel that I need to cut. I folded back a half an inch of the cut piece and pinned it back with the purple pin to show how much fabric will be hidden with the seam. The teal piece already has folds from the original seams so I butted them up. This shows me exactly where the side panel needs to be in relation to the pattern in order to match the main piece. I then pinned the teal piece down and traced the outline onto the roll of fabric, then cut it out.

Once I figured out the method that worked best for me, I found an easier solution that uses the same principle.

Instead of using the teal fabric template and visualize the multiple seams, I nixed the template altogether and just used its measurements. I layered the fabric on top of its matching pattern, then slid a ruler an inch under the fabric, then marked the width that I needed the finished piece to be. It's the same idea, just with fewer steps.

Once I cut out the pieces, I used colored pins to mark corresponding edges.

For the back panel with the zipper, I did the same process, but with two pieces and a zipper sandwiched between. For the cushion's bottom piece, I modeled it off of the front panel the way I modeled the front panel off of the top piece. This was to ensure that the lines matched on the cushion edge that was most visible.

Finally, all of the pieces were sewn together and stuffed with the existing cushion. Then, I did it all over again for the second cushion.

Now that it's completed, I'm super pleased with how well the squares line up on each of the seams, as well as in the transition from the bottom cushion to the back cushion. The back panels of each piece don't match up because it is physically impossible, but I'm a-okay with that. Please feel free to weigh in on more efficient upholstering techniques, I'm sure there are great options out there!

Doesn't she look pretty with this pillow?

If you're here because of the One Room Challenge, I hope you'll subscribe to the blog to get future blog posts in your email! Be sure to follow along on Instagram, too!

One Room Challenge progress:
Week 1 - the before, the inspiration, and the plan
Week 2 - paint, paint, paint
Week 3 - how to install picture rail molding
Week 4 - sourcing the artwork
Week 5 - refreshing a chair
Week 6 - the reveal!

Don't forget to admire the other spaces that are a week away from their grand reveal! Check out both the featured and guest bloggers.

Want remember how to refresh a chair for your next project? Pin this image below. While you're at it, follow me on Pinterest!

One Room Challenge Week 4 - Sourcing The Artwork

It's already week four of the One Room Challenge! We're over halfway there and the room has earned dark green paint and picture rail molding. This week, I got to hang the artwork!

This image of a man pulling a girl out of a hole is my favorite piece in the whole room. I'm obsessed with all of the collage pieces by this artist, Richard Vergez. I got this piece and (and all of the others in this post) from Society6, which is such a great resource for framed art by independent artists. The beauty of it is you can get your favorite design printed as a framed print, mug, duvet, tote, or pillow, like this one!

I can't have a room without florals! This print as a pillow does the job.

There's so much beautiful artwork (and bad artwork!) out there so deciding is such a feat. I've rounded up a few more of my favorite artworks from Society6. You can also find more of my curated pieces that I'm crushing on here.

Sources from top left: Rainier Eunice Lake / The Dreamer / Colors / D24 / Mountain Trees / C16 / By the Hills, revisited / Crown / Into Abyss / El Matador / Close Noir / Glacial

While I ultimately bought my prints from Society6, Minted is another great source for art. Here are some swoon-worthy pieces.

Sources from top left: Spiced Cider/ Blue HIlls / Road Trip 2 / Torched / Dance / Abstract Watercolor / A Slight Chance / Conversation II / Broken Clouds / Whispered Rain / Reflections III / The Forest

I shared last week how much I love picture rail molding and how to install it. Well, here's how to use it! Simple dimple.

You can find picture rail hooks in a variety of finishes, shapes, and sizes, so pick whatever works for your home's style and your decor. I got these from House of Antique Hardware for their simplicity and the way the brass matches the aged brass of the switch plates.

Attaching the hook to the frame is as simple as twisting on a wire. The key is to select a wire that can withstand the weight of your frame. The Society6 prints are quite lightweight so I was able to go with a thinner gauge wire, but this same wire previously snapped when I tried using it to hang a mirror. Oops. If you don't want to use wire, rope or chain are great alternatives. I prefer how subtle the thin wire is because it doesn't take attention away from the main attraction, yet you still see a glimmer of it when the light hits just right.

I like to start by twisting the wire on to the hook so I can focus on making the twist as clean as possible, since you'll see it. After measuring how high the image will hang, cut the wire to length, leaving several inches to twist into the back of the frame. For a strong hold I like to twist the wire on, then double twist over it again.

After a bit of finessing, you have a photo hung on the wall without any holes! While I adore these new prints, and plan on enjoying them in this room for the long haul, I love having the flexibility to move them around the house without having to patch nail holes. 

The two large prints over the couch are by Lucie Birant. Deciding on a diptych is tricky because you want them to go together, but not too much. The key is for them to be sisters, not twins. Rather than picking two pieces that are nearly them same, but slightly different, I opted for two very different images, but by the same artist. They aren't matchy matchy, but they go together because they still have the same pencil work and overall style. Emily Henderson has a great PSA on avoiding generic art and how to make diptychs look grand.

While all of the new artwork for the room was sourced from Society6, I searched high and low on lots of other websites such as Minted, Artfully Walls, and 20x200. Society6 had the best prices and the quickest turnaround for a room makeover on a tight timeline, but I really had to sort through the artwork, because I didn't love it all (remember, bad art good walls). I like Artfully Walls for the easy search features that help you curate based on themes and colors. 20x200 sells limited edition art prints that are really unique (I'm still waiting for this one and this one to arrive in the mail). Minted has a lot of great pieces that are easy to love. They aren't generic, nor too quirky like the painting of the Denny's Parking Lot I ordered from 20x200. Check 'em all out! Or, if you have your own artwork or an existing piece you want to frame, take a look at Framebridge for custom framing options at great prices.

To recap, the prints I chose for the room are Minimal and Palm by Lucie Birant, Let Me Go Or Squeeze Me Tighter by Richard Vergez, The Path by Carlos ARL, and Mount Cook Lily (Night) by Andrea Stark.

If you're here because of the One Room Challenge, I hope you'll subscribe to the blog to get future blog posts in your email! Be sure to follow along on Instagram, too!

One Room Challenge progress:One Room Challenge progress:
Week 1 - the before, the inspiration, and the plan
Week 2 - paint, paint, paint
Week 3 - how to install picture rail molding
Week 4 - sourcing the artwork
Week 5 - refreshing a chair
Week 6 - the reveal!

Be sure to admire the other rooms that are four weeks into being completely transformed! So many featured and guest bloggers are doing big things!

One Room Challenge Week 3 - How To Install Picture Rail Molding

I'm back for week three of the One Room Challenge! If you're just tuning in, I'm mid-way through transforming an unloved spare bedroom into a cozy, moody space. Last week, the room underwent a metamorphosis with radically different paint in a deep green. This past week, we tackled installing the picture rail molding.

If you're unfamiliar with one of my all-time favorite old house features, picture rail molding is a narrow piece of trim that runs the perimeter of the room near the top of the walls. My house's picture rail molding sits atop the door and window frames. Some homes have the molding closer to the ceiling where crown molding would go. If you're in an old house with crown molding that doesn't quite touch the ceiling, then you may just have a picture rail! This lil' piece of wood trim has a notch at the top that allows you to put a small hook over it from which you can hang a frame from a wire. This is oh-so-handy because you never have to put holes in the wall to hang artwork. It saves me from patching holes whenever I want to change pieces - which is a big deal for someone that has major art indecision. It's also great for an old house because you don't risk damaging the plaster (that we all know I'm a fan of) by pounding a nail into the wall. (Side note, hammering plaster walls can really damage them so I always use screws rather than hammering a nail if I ever put anything into the wall). The living and dining room still have their original picture rail molding, but the rest of the house was stripped of their decorative trim at some point over the years. It's my job to put it back!

Enough about why I love this molding, let's get into how to install it.

Supplies:

• Picture rail molding

• Tape measure

• Level

• Studpop for plaster walls or traditional stud finder for drywall

• Paint, primer, and brush

• Sanding sponge

• Miter Saw

• Nail gun and nails

• Putty

• Caulk

• Picture rail hooks (from Rejuvenation, House of Antique Hardware, or vintage)

• Wire, rope, chain, or ribbon (of appropriate strength)

The first step is to find molding that fits with your home. The profile we bought was the closest we could find to the existing molding that is still intact in select rooms. If your home never had the molding originally, or you don't know what it looked like, you can research profiles for colonials, victorians, etc. to find what would have likely been in your home. If you have a unique profile and can’t find it at any salvage shops, online retailers, or specialty wood retailers, you can have a blade custom made so wood can be milled to match your existing profile. Finding someone local that does millwork can help you to either make a custom blade to cut your profile or even see if they have one already made.

The brand new molding has such crisp edges, but the existing trim in the house has a softer edge, so I took some sandpaper to each of the planks to give them a less brand-new look. The piece on the left is right out of the package, and the one on the right received a light sanding. Can you spot the mild difference?

After smoothing the edges a touch, I primed each plank with my go-to primer while Ross drafted up the plan of lengths and angles we would need.

We measured each length needed, and noted the direction of the cut. Drawing it out on a floor plan helped us keep track of where each cut would go, then labeling the backside of each piece ensured we didn't get any mixed up.

The trim spans the perimeter of the room so it sits on top of the white doors as well as the green walls. I could have painted it all white to match the trim, but I decided to match the trim color to the surface color it would sit on. So, door and window pieces would be Simply White and the wall trim would be Salamander. Once we had a plan, Ross cut the pieces, while I gave them a couple of coats of their corresponding paint color.

Once we cut all of the pieces, we did a dry fit. Using a level and several hands, we held up multiple pieces to see how each piece would fit against the next and how that would fit with the next and so on and so on. With old walls that aren't totally square, we had to sand down the edges a little, and we had to pull a few pieces from our spare cuttings.

Since the molding would need to hold the weight of heavy frames, mirrors, or whatever I choose to dangle from the trim, it needed to be darn strong. The only way to do this is to nail the trim directly into the studs. Since plaster walls are constructed with wood throughout their backsides (learn more about old walls here), a traditional stud finder (the electronic ones that beep) won't work. THE best way to find studs in plaster walls is with this handy $10 tool. Seriously. It’s the best.

Once you find a stud, measure from that stud a distance that you think your studs may be spaced out. Common distances are 16" or 24." My house has studs 16" apart, so I used blue tape to mark each stud. You could repeat finding each studs with the handy tool, but this is more efficient. This is one of the few occasions when I actually use blue tape on walls.

After we found the studs and dry-fit all of the molding, came my favorite part. We quadruple checked level before I nailed in each piece into the stud. We used this cordless electric nail gun that was such a beauty to have around because it was free of needing a noisy air compressor. Not having the buzzing compressor noise ongoing in the background made the cha-chunk sound of the nail gun so much more satisfying!

It felt great to finally cap the door with trim it always should have had. The doors are grateful to get their hats back.

After all of the trim found its home on the wall, I retraced our steps to fill in all of the nail holes with putty, and cleaned up the seams with caulk. Two walls had long stretches without interruption so they needed more length than the 8' trim piece, so we had to sister them together. My trusty putty,  caulking, and another coat of paint erased all of the blemishes.

I'm still finalizing the artwork. Until then, the hooks will rest patiently on the trim.

And there you have it! That, my friends, is how you add oodles of charm with a few pieces of wood. Oh, and I jumped the gun and put the couch in the room already. I'm in love with these colors.

If you're here because of the One Room Challenge, I hope you'll subscribe to the blog to get future blog posts in your email! Be sure to follow along on Instagram, too!

One Room Challenge progress:
Week 1 - the before, the inspiration, and the plan
Week 2 - paint, paint, paint
Week 3 - how to install picture rail molding
Week 4 - sourcing the artwork
Week 5 - refreshing a chair
Week 6 - the reveal!

Make sure to check out the other room transformations that are coming along swimmingly! So many featured and guest bloggers are doing amazing things!

One Room Challenge Week 2 - It's All About That Paint

The biggest transformation for the One Room Challenge's makeover of the den/guest room is the paint. And we're getting into it first!

I had loads of inspiration and lists of paint colors that had been used successfully in multiple spaces. I was trying to marry the wall color with the blue velvet couch that I planned for that room to give it a dark-on-dark upgrade without making the room look monochromatic. As a reminder, here's the before, inspiration, and design plan.

Clockwise from upper left we have Salamander by Benjamin Moore, Hunter Green by Benjamin Moore, Pine Grove by Clark + Kensington, Tarrytown Green by Benjamin Moore, and Narragansett Green by Benjamin Moore.

I painted swatches on the back of a foam core presentation board, since I already had it on hand (I use it as a reflector for photos) but you could instead buy the paint sample boards at the paint store. I was quick to rule out a few colors, then painted my favorites on the wall. By the end, Salamander won our vote.

While rolling on the paint in broad strokes provides immediate satisfaction, my painting specialty is cutting in the edges. I don't use blue tape to get crisp edges, rather a steady hand and some trusty tools.

I use the HANDy Paint Cup whenever painting edges, when I need to be more mobile than a gallon of paint allows, or when I'm working with small amounts of paint. This convenient tool fits in your hand, has a magnet to hold the brush, and cleans up so easily (just let the paint dry in the cup, then peel it off - so satisfying!).

The Wooster Shortcut paint brush is perfect for cutting in. I'll use almost any 2" angled brush for the job, but this lil' one is so comfy with its rubber handle.

When scooching around on the floor to paint the edges on the baseboard, a kneeling pad is a must. I use it for gardening, painting, tiling, etc. While I don't think you'll find this crouched painting position recommended on HGTV, it works for me.

In addition to the walls needing a couple of coats of paint, the baseboards hadn't been touched since before the floors were refinished. They were scuffed up from the sander and I just left them like that for two years. A nice coat of Benjamin Moore's Simply White was all they needed to look their best. The baseboard, three doors, and a window all needed some paint love. Lucky for me, I had the S-Town podcast to keep me company during the hours and hours of painting.

After a weekend's worth of cutting in, I'm swooning over the freshly painted room. The green is so pretty and has a velvety look when the light hits it mid-day. At night, it's nearly black - which is just what I was going for.

Next week, I'm tackling the picture rail moulding installation! Come back over the next few weeks as this room gets a total overhaul. Don't forget to admire the work of the featured and guest bloggers participating in the One Room Challenge!

If you're here because of the One Room Challenge, I hope you'll subscribe to the blog to get future blog posts in your email! Be sure to follow along on Instagram, too!

One Room Challenge progress:
Week 1 - the before, the inspiration, and the plan
Week 2 - paint, paint, paint
Week 3 - how to install picture rail molding
Week 4 - sourcing the artwork
Week 5 - refreshing a chair
Week 6 - the reveal!

One Room Challenge Week 1 - A Moody Makeover

I'm currently digging moody colors. Deep blues, forest greens, and dark grays are all I'm pinning as of late. I mentioned a few weeks ago that I was contemplating painting my kitchen cabinets (again!) to give them a deeper hue. Since it's not the best use of my time, I've directed my color affection to another space. Luckily, the One Room Challenge is starting at the perfect time to scratch the moody color itch! Scroll through to see the room I'll be transforming over the next six weeks.

If you found me through ORC, welcome! I'm Ashley and for the past two years I've been restoring a craftsman bungalow in San Diego, CA. Learn a touch more about me here, and preview the before-and-after room transformations here.

Without further ado, here is the inspiration.

Studio McGee

Haley Weidenbaum

Deuce Cities Henhouse

Chris Loves Julia

Emily Henderson

See where I'm going? What I particularly love about these spaces is how they play with dark on dark tones. Studio McGee's emerald couch against the navy walls and Julia's black sofa on the deep green are what moody dreams are made of.

So which space will earn its dark makeover? The family room/den/media room. What is a good name to call a space that we pretty much use only to fold laundry and watch TV in? The internet tells me that an alternate to the word "den" is "snug." I kinda like it. Please weigh in.

This room has received little to no love over the past two years. 100% of the furniture pieces were brought from our rental, so I've grown tired of them. The paint color is a reject color that I bought for our master but didn't like once painted on all of the walls. (lesson learned: paint BIG swatches before you buy a gallon of paint). Also, the trim never got its final coat of paint. 

The room is fine, but it could become the dark hued space of my dreams. I'm looking forward to spending the next six weeks transforming it. I hope you'll stay tuned and check out the featured and guest bloggers participating in the spring 2017 season of the One Room Challenge!

Sources: couch / rug (one of a kind) / lamp / pillow / chair (existing) / chair fabric / credenza (vintage) / painting

If you're here because of the One Room Challenge, I hope you'll subscribe to the blog to get future blog posts in your email! Be sure to follow along on Instagram, too!

One Room Challenge progress:
Week 1 - the before, the inspiration, and the plan
Week 2 - paint, paint, paint
Week 3 - how to install picture rail molding
Week 4 - sourcing the artwork
Week 5 - refreshing a chair
Week 6 - the reveal!